Iron Throne 2.0
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This little beast is a very, very eerie and dark collection of metallic percussive and semimelodic effects, ideal for use in horror and suspense scoring, sound design, trailer effects and post production, experimental and ambient music, or anything else you can think to do with it. The origins of the strange creation/discovery will remain a forbidden secret – even though we had a contest where over 130 people tried to guess its origins. What we can tell you is that we beat and played the hell out of it… or in to it, depending on how you look at it. We used bows, mallets, metal rods, rubber balls, fingers, fists, drum sticks, nylon, metal brushes, rasps and files, water and earth to lift all manner of demon song from this contraption.
We used viola bows on the throne edges to create eerie melodic and dissonant tones. Several types of bowed instrument sets are included, including long sustains, medium gliss effects, short staccato, spiccato, and tremolo sustains. There are a number of different mallet rubs, brush, finger, and comb effects to explore. The finger drags, rubber ball, and flat mallet rubs were created by dragging the edge of the mallets (or fingers) along surfaces on the throne, in long arcs and lines. This caused it to resonate in a similar fashion to a rubbed gong. Mallet strikes were produced with wooden, felt, and metal tipped mallets and sticks to produce standard metal percussion sets. For Iron Throne 2.0, we created brand new ambiences, drones and atmospheric pads from the raw source recordings. This library also contains 20 new custom FX presets to give you instant inspiration for your next film/video game score, soundtrack or music composition.
Contents
The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more. We've also included 20 unique sound-designed custom FX presets to give you lots of creative options.
This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.
The interface is rounded-out by our modular FX rack panel, with 18 different DSP effect modules that you can assign in any of 10 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!
Product Specs
- One master NKI instrument bank in open Kontakt format
- Bowed Sustains, Stabs, FX, Brush, Finger, Comb Percussion, Rubber, Felt, Wooden Mallet Rubs, Strikes
- 30 Ambience patches created from the source content
- 24 bit / 48 kHz uncompressed PCM wav samples
- 20 Custom Sound-Designed FX and Ambient presets
- 899 Stereo WAV files
- 1.1 GB installed
- Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
- Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments
You may buy Iron Throne 2.0 or download it from our website.
This product was released on 05 Dec 2020. Please check compatibility with your hardware and O/S.
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